Another milestone: The final day open to the public is 28 March 2024, 10 am–9 pm.

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Audio

Let the voices of artists, curators and members of our community extend your experience of art at Agnes through podcasts and audio guides. 

A dancer wearing a bird mask from Ogoniland performs at the Illicit Gin Institute.
Illicit Gin Institute Soundscape, Wolfe Island
Soundscape, produced by Sadaf Amini and Lowell Cochrane, Arts & Science Online. Activist Design in Educational Multimedia Project, Collaboration between Arts & Science Online and Centre for Teaching and Learning.

Transcript

Illicit Gin Institute Soundscape, Wolfe Island
Soundscape, produced by Sadaf Amini and Lowell Cochrane, Arts & Science Online. Activist Design in Educational Multimedia Project, Collaboration between Arts & Science Online and Centre for Teaching and Learning.
With Opened Mouths: The Podcast
Seasons 1 and 2

Transcript

With Opened Mouths: The Podcast
Seasons 1 and 2
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A carved wooden figure, bearded with breasts. Lower half of the body covered in leaf-like motif.
The Unnamed Genderfluid Figure: Transgender and Intersex Interpretations of Medieval Christian Art
Dr Jennifer Awes Freeman provides an interpretation of this genderfluid architectural wooden relief.

Transcript

The Unnamed Genderfluid Figure: Transgender and Intersex Interpretations of Medieval Christian Art
Dr Jennifer Awes Freeman provides an interpretation of this genderfluid architectural wooden relief.
Outrageous Worldmaking from a Bright
Yellow Kitchen
In this episode, Emelie Chhangur, Director Curator of Agnes Etherington Art Centre speaks about worldmaking and her radical curatorial practice.

Transcript

Outrageous Worldmaking from a Bright
Yellow Kitchen
In this episode, Emelie Chhangur, Director Curator of Agnes Etherington Art Centre speaks about worldmaking and her radical curatorial practice.
Travelling in a Multiverse of Hybridity
Artist Rajni Perera speaks to Qanita Lilla about the interstellar travelers and the multiversal futurisms that inform her practice.

Transcript

Travelling in a Multiverse of Hybridity
Artist Rajni Perera speaks to Qanita Lilla about the interstellar travelers and the multiversal futurisms that inform her practice.
Drawing Power From Poetry
In this episode, poet Juliane Okot Bitek shares how stories have the power to transform who we are and how we situate ourselves in the world.

Transcript

Drawing Power From Poetry
In this episode, poet Juliane Okot Bitek shares how stories have the power to transform who we are and how we situate ourselves in the world.
A dancer wearing a bird mask from Ogoniland performs at the Illicit Gin Institute.
Illicit Gin Institute Soundscape, Wolfe Island
Soundscape, produced by Sadaf Amini and Lowell Cochrane, Arts & Science Online. Activist Design in Educational Multimedia Project, Collaboration between Arts & Science Online and Centre for Teaching and Learning.

Transcript

Illicit Gin Institute Soundscape, Wolfe Island
Soundscape, produced by Sadaf Amini and Lowell Cochrane, Arts & Science Online. Activist Design in Educational Multimedia Project, Collaboration between Arts & Science Online and Centre for Teaching and Learning.
Imagining African Digital Futures
Working at the intersections of tech and cultural heritage, Chao Tayiana Maina speaks with Qanita Lilla about her vision for African digital futures.

Transcript

Imagining African Digital Futures
Working at the intersections of tech and cultural heritage, Chao Tayiana Maina speaks with Qanita Lilla about her vision for African digital futures.
Manifesting Black Feminist Subjectivity
Visual artist, Kosisochukwu Nnebe talks with Qanita Lilla about her artistic practice inspired by social theory and lived experience.

Transcript

Manifesting Black Feminist Subjectivity
Visual artist, Kosisochukwu Nnebe talks with Qanita Lilla about her artistic practice inspired by social theory and lived experience.
Sweet Grass, Boiled Eggs and Table Manners
Spoken word poet, Billie the Kid speaks with Qanita Lilla about honouring stories as a living entities.

Transcript

Sweet Grass, Boiled Eggs and Table Manners
Spoken word poet, Billie the Kid speaks with Qanita Lilla about honouring stories as a living entities.
Access as Kindness
Lebanese Canadian actor, writer, and curator Yousef Kadoura speaks with Qanita Lilla about the diverse experiences and boundaries of performance in pursuit of accessibility.

Transcript

Access as Kindness
Lebanese Canadian actor, writer, and curator Yousef Kadoura speaks with Qanita Lilla about the diverse experiences and boundaries of performance in pursuit of accessibility.
Footnotes
Image Credits
Queen’s University
36 University Avenue
Kingston, Ontario
Canada K7L 3N6
T (613) 533.2190
aeac@queensu.ca
Agnes Etherington Art Centre is situated on the territory of the Haudenosaunee and Anishinaabek.

Anishinaabemowin (Ojibway): Gimaakwe Gchi-gkinoomaagegamig atemagad Naadowe miinwaa Anishinaabe aking.

Kanyen’keha (Mohawk): Ne Agnes Etherington Art Centre e’tho nońwe nikanónhsote tsi nońwe ne Haudenasaunee tánon Anishinaabek tehatihsnónhsahere ne óhontsa.

Agnes is committed to anti-racism. We work to eradicate institutional biases and develop accountable programs that support and centre the artistic expression and lived experience of Black, Indigenous and People of Colour. Agnes promotes 2SLGBTQIAP+ positive spaces.

© Agnes Etherington Art Centre 2024

Queen’s University
36 University Avenue
Kingston, Ontario
Canada K7L 3N6
T (613) 533.2190
F (613) 533.6765
aeac@queensu.ca
Agnes Etherington Art Centre is situated on the territory of the Haudenosaunee and Anishinaabek.

Anishinaabemowin (Ojibway): Gimaakwe Gchi-gkinoomaagegamig atemagad Naadowe miinwaa Anishinaabe aking.

Kanyen’keha (Mohawk): Ne Agnes Etherington Art Centre e’tho nońwe nikanónhsote tsi nońwe ne Haudenasaunee tánon Anishinaabek tehatihsnónhsahere ne óhontsa.

Agnes is committed to anti-racism. We work to eradicate institutional biases and develop accountable programs that support and centre the artistic expression and lived experience of Black, Indigenous and People of Colour. Agnes promotes 2SLGBTQIAP+ positive spaces.
© Agnes Etherington Art Centre 2024

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