Patterning and digitizing historical garments, as well as conserving and mounting them for photography or exhibition, can reveal much about them. That intimate work of the conservator, digital designer, patternmaker, or museum technician in handling garments—turning garments inside out; smoothing, plumping, tying, buttoning; reconstructing their lines, silhouettes and movement—divulges historical techniques of making and histories of wearing. (Like, ah!, that hidden pocket in the teagown! The twirl of digitized cotton lawn!) These processes honour the work of the original makers, many of whom are no longer known and remain unnamed in collections. They can also provide alternative access to historical garments, particularly those too fragile to clothe a mannequin for display. Digitization extends the sensory and enhances tactility, showing how a garment can drape, can move (whether in private or in public), further adding to our understanding of historical garments.
Historical garments are fragile objects, vulnerable to damage from heat, light, pests, improper storage, handling, display and more. Explore why and how we conserve garments.
Get to know the Day Dress through a 3D model or “digital twin” fabricated using the historical patterns. Model designed by Yasmin Koppe.
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