Return to Main Screen
Like today’s scrapbooks, early nineteenth-century sentiment albums expressed the life and interests of their creators. Unlike the artist who controls her image in a traditional self-portrait, assemblers of such albums invited friends, family members, and acquaintances to contribute verses, sketches, or autographs. The rise of photography in nineteenth-century Europe and North America hastened the demise of sentiment albums, as women turned to producing photographic collections.
An upper-class woman who lived in Quebec City, Lady Marie-Reine-Josephte Belleau (1812–1884) was married to Sir Narcisse-Fortunat Belleau, a prominent lawyer, politician, and businessman. Knighted in 1860, he later became Lieutenant-Governor of the province of Quebec. Her album, which she assembled throughout her life, offers a window into her milieu by means of her collection of drawings, watercolours, collages, photographs, and texts. Works by such significant Canadian artists as Cornelius Krieghoff and Théophile Hamel appear in these pages. Her sentiment album is a repository of memory, acknowledged relationships, and social identity.
The Artist Herself: Self-Portraits by Canadian Historical Women Artists is curated by Alicia Boutilier and Tobi Bruce, and organised and circulated by the Agnes Etherington Art Centre and the Art Gallery of Hamilton, with the generous support of the Government of Canada, the Canada Council for the Arts, the Ontario Arts Council, the City of Hamilton, the City of Kingston Arts Fund through the Kingston Arts Council, and the Janet Braide Memorial Fund, Celebrate Agnes Fund and Iva Speers Fund for Art Education, Queen’s University.
The exhibition is on view at the following Canadian venues:
Agnes Etherington Art Centre, Queen’s University,
Kingston, ON (2 May–9 August 2015)
Art Gallery of Greater Victoria, BC
(2 October 2015–3 January 2016)
Kelowna Art Gallery, BC (23 January–3 April 2016)
Art Gallery of Hamilton, ON (28 May–11 September 2016)
The interpretive material was compiled by Alicia Boutilier and Pat Sullivan, Agnes Etherington Art Centre
Photo credit for album image: Library and Archives Canada (e008300827-v8 to e008300827_s5-v8, e010767430-v8 to e010767533-v8)
Photo credit for Belleau photo: Musée national des beaux-arts du Québec. Gift of Gabrielle Baillargeon (1986.110)
Photo: Idra Labrie
Readings from ‘Ladies Albums’, Graham’s Magazine, vol.2, no.1, 1827, and Original Album Verses and Acrostics, Toronto/Clifton, Toronto News Co., c.1800, performed by Simon Gagnon
Recorded by Josh Lyon
Video of artist Rebecca Soudant produced by Josh Lyon