Koninck entered Rembrandt’s orbit of influence after he had become a full-fledged landscape painter. The sweeping and atmospheric panoramic background in this scene demonstrates his distinctive aesthetic. While the presentation of an Old Testament historical subject reflects the Rembrandtesque mode, the unusual choice of theme again reflects Koninck’s mature independence. He possibly favoured the scene of a lavish ceremony and extensive procession because the static figures, gentle rhythms, and range of textures suited his approach to landscape.