An international collaboration involving conservators and curators from Agnes and the Art Conservation Program at Queen’s University, the Mauritshuis, The Hague and the Ashmolean Museum of Art and Archaeology, University of Oxford focuses on utilizing new examination technologies to better understand the materials and painting techniques used by Rembrandt and his circle.
Jocelyn Hillier and Dr Abbie Vandivere; Interviewed by Dr Suzanne van de Meerendonk
An international collaboration involving conservators and curators from Agnes and the Art Conservation Program at Queen’s University, the Mauritshuis, The Hague and the Ashmolean Museum of Art and Archaeology, University of Oxford focuses on utilizing new examination technologies to better understand the materials and painting techniques used by Rembrandt and his circle.
Jocelyn Hillier and Dr Abbie Vandivere; Interviewed by Dr Suzanne van de Meerendonk
Rembrandt van Rijn, Head of an Old Man in a Cap, around 1630, oil on panel. Gift of Alfred and Isabel Bader, 2003 (46-031)