In this selection of monochrome prints by long-time Kingston artist Margaret Lock, figures portray roles in a range of expressive tableaux. Lock’s ungainly nudes capture fumbling vulnerability and vain striving. The woodcut entitled Vanitas refers, with characteristically wry insight, to the artistic tradition of allegorical still life that conveys moralizing and cautionary messages. Lock’s form of vanitas combines symbolism and literary allusion with a portraitist’s feeling for depicting heartache, innocence, sloth, or sanctimony; the emotional intensity lends sting to the artist’s commentary on gender roles and affected piety.