Inspired by Rembrandt’s first student in Leiden, Gerrit Dou, Van Spreeuwen’s small-scale, detailed compositons often feature scholarly figures. The aged man at centre turns his gaze heavenward. His rejecton of worldly concerns is made explicit by the still life elements surrounding him, alluding to military, intellectual and economic pursuits. Behind him, a boy blows fragile soap bubbles, reinforcing the message of transience.