“belonging transference I” is a photographic banner whose surface forms what seems to be an abstracted field, but reveals glimpses of beadwork that the artist has pressed into skin. “Belongings” enjoys a double meaning in the work, since intimate, familial, communal and sacred things are often collected by museums as Indigenous art. One can imagine Jeneen Frei Njootli spiriting a brief imprint of cultural value from the museum. Njootli is a Gwich’in artist from North Yukon known for investigating relationships of trade, ceremonial regalia and the politics of First Nations art.