The Bembe peoples from northern Democratic Republic of the Congo are represented in the Lang collection by two intricately carved figures known as bimbi. Depicting a female and male ancestor (see M84-014), they are small-scale, idealized portraits that suggest quiet energy through their slightly flexed arms and legs. The ancestors¿ status and position are conveyed through gesture or the objects they hold, such as a hunter¿s knife or a musician¿s drum. This female figure, like many female bimbi, is depicted in a supplicating or prayerful position. Her outstretched arms and upturned, empty hands indicate respect and that she has nothing to hide.

Bimbi protect their owners from misfortune, thus serving as a bridge between the present world and the spiritual world. Spiritual power is conveyed through attributes such as white, inset eyes (composed of shell, ivory, or porcelain) that allude to the ancestors¿ ability to see into the spiritual realm. The finely detailed scarification patterns that cover the figures¿ torsos often include open diamond motifs, which are present on both bimbi in the Lang collection. A common motif, it symbolizes the two worlds.

Bimbi are not considered complete or functional without the addition of protective medicines and/or relics. A Bembe nganga, or priest, inserts these substances into a cavity in the area of the figure¿s anus. The owners then take great care of their sculptures, sometimes clothing them in beads or cloth and oiling them regularly so they acquire a glossy patina.