While the Virgin Mary is often considered the typological redeemer for the sinful Eve, Hendrick ter Brugghen’s representation of her alludes to her role as a grief-stricken mother. When Christ was an infant, the prophet Simeon predicted that Mary would suffer the loss of her son so that humankind would be saved (Luke 2:34-35). The cross in the background refers to this prophesy. Mary’s rigid profile, sober expression and clasped hands evoke her fortitude in the face of such tragedy.