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Agnes's front facade during the Solstice Party.
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Film still from He Thought He Died featuring a view of Agnes’s vaults.
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World Premiere at Toronto International Film Festival!
Portrait of Qanita Lilla. Photo: Shelby Lisk
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CBC’s All in a Day with Alan Neal and Qanita Lilla
Agnes’s collections staff and curator move the African collection from the vault to above ground.
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How an African collection of art in Canada is celebrated with care and community
Norval Morrisseau, The Dawn, 1979, serigraph on paper. From The Art of Norval Morrisseau: Collection of Five Prints in Original Portfolio. Gift of Guardian Capital Group Limited, 2020
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12 Art Exhibitions to Discover in Canada this Summer
Students from Central Public School on a school field trip to Agnes get to play and dance in Etherington House, an extension of the exhibition a guest + a host = a ghost.
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Canadian Architect features Agnes Reimagined
View looking east down Princess Street, Kingston, Ont., 1890. (Queen's University Archives)
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Curating early Black experiences in Kingston, Canada’s first capital, a city long defined by histories of whiteness
Portrait of Britta B.
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Agnes’s programs are shortlisted for GOG Awards!
Marla Dobson pulls out a rack of paintings in the Agnes vaults.
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The gallery is packing up the collection – with great care
Carstian Luyckx, Still Life with Gilt Cup, Glass Holder, Silver Beaker, Nautilus Shell, Fruit and Oysters Arranged on a Draped Ledge, around 1650, oil on copper. Agnes Etherington Art Centre. Gift of Isabel Bader, 2021
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Building on the Gift of Art
Agnes's facade
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Decolonizing the Agnes: in conversation with Emelie Chhangur
Emelie Chhangur portrait. Photo: Tim Forbes
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Meet Emelie Chhangur, Director, Agnes Etherington Art Centre
Rembrandt van Rijn, Head of an Old Man in a Cap, around 1630, oil on panel. Gift of Alfred and Isabel Bader, 2003 (46-031)
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Book Review: Leiden circa 1630: Rembrandt Emerges
Heather Parker leads a tour of the exhibition The Pathos of Mandy: Walter Scott for the Society of Graduate Students.
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Opportunities at the Agnes!
Kate Ducharme, Visitor Services Assistant welcomes visitors as they arrive. Photo: Tim Forbes
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Agnes reopens with safety measures
Agnes facade. Photo: Tim Forbes
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$40-million gift for the Agnes and a new home for the Bader Collection
Agnes facade in spring
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The Agnes goes digital
Charlotte Gagnier, Program Assistant, dramatically recreated Hendrick ter Brugghen (workshop of), “David with the Head of Goliath,” around 1629, oil on canvas. Gift of Alfred and Isabel Bader, 2014 (57-001.07).
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Between art and quarantine
Lawren Stewart Harris, Athabasca Valley, Jasper Park, around 1924, oil on wood. Gift of the Gertrude Matthewman Bequest, 1986 (29-076)
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Museums at Home
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