Carstian Luyckx, Still Life with Gilt Cup, Glass Holder, Silver Beaker, Nautilus Shell, Fruit and Oysters Arranged on a Draped Ledge, around 1650, oil on copper. Agnes Etherington Art Centre. Gift of Isabel Bader, 2021
Unlike many of the Bader family’s gifts to Queen’s University, the recent donation of a dozen paintings from The Bader Collection wasn’t meticulously planned. Instead, it was a spontaneous offer from Isabel Bader, LLD’07, to support an exhibition organized by a curator new to the university.
Shortly after Dr. Suzanne van de Meerendonk arrived at Queen’s in November 2020, she got to work planning an exhibition exploring the theme of isolation, one of the biggest concerns brought on by the COVID-19 pandemic.
The new Bader Curator of European Art called the exhibition Studies in Solitude: The Art of Depicting Seclusion, and she searched through The Bader Collection to find paintings to include in it. “There were two works that weren’t part of our collection at Queen’s that I thought would be perfect,” Van de Meerendonk says.
So, she called Isabel Bader to see if she could borrow those paintings. “She said she would be willing to lend them,” says Van de Meerendonk, “but then she decided that she would rather gift them to us.” Isabel then expanded on her offer. “She indicated that she would be willing to add more works to the gift if I thought they could be helpful, either for this exhibition or for a future exhibition.”
Jacobus Vrel, A Woman Darning a Stocking, around 1654, oil on panel. Agnes Etherington Art Centre. Gift of Isabel Bader, 2021
Heyman Dullaert, Young Scholar in his Study, around 1655, oil on canvas. Agnes Etherington Art Centre. Gift of Isabel Bader, 2021
Van de Meerendonk chose 10 paintings in addition to the two she had earmarked for Studies in Solitude. The paintings –17th-century Dutch still lifes, Biblical scenes, and scenes from daily life – enhance the Agnes Etherington Art Centre’s ability to shed light on early modern European art, life, and material culture.
“I felt very spoiled as a curator,” Van de Meerendonk says. “It was such a generous gift to the university, and it was also a warm welcoming to my new position.”
Two of the paintings, Heyman Dullaert’s Young Scholar in his Study and A Woman Darning a Stocking by Jacob Vrel, are part of Studies in Solitude at Agnes until June 2022. The rest remain in Agnes’s vaults for now, but Van de Meerendonk is already making plans to incorporate them into future exhibitions.
In the meantime, you will soon be able to view all 12 paintings online as part of the Digital Agnes initiative.