Agnes will remain closed in compliance with the province-wide lockdown to curb the spread of COVID-19.

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Digital Agnes is a platform for critical curatorial collaboration and creative research initiatives, embracing virtual exhibitions, digital publications and interactive online experiences. This resource for knowledge sharing and interpretation aims to expand avenues of participation—locally and globally— around visual and media art and artists, and to advance digital visual cultures.

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Meet Emelie Chhangur, Director, Agnes Etherington Art Centre
Emelie Chhangur, Director and Curator, Agnes Etherington Art Centre in conversation with Dinah Jansen, Campus Beat, CFRC 101.9 FM
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Sandra Brewster’s “Blur” (2019)
Sunny Kerr, Curator of Contemporary Art
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Godfrey Kneller’s Scholar in His Study (About 1668)
Dr Maxime Valsamas, Curatorial Assistant, European Art and Exhibition Curator, Agnes Etherington Art Centre
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Artistic Connections
Dr Stephanie Dickey, Professor and Bader Chair in Northern Baroque Art, Department of Art History and Art Conservation, Queen’s University
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Scholars as Rock Stars
Dr Daniel Woolf, Principal Emeritus and Professor, Department of History, Queen’s University
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Evidence Based Looking
Natasa Krsmanovic, Conservator, Rare Books and Special Collections, University Archives, Queen’s University
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Curation and Exhibition: Dr Jacquelyn N. Coutré and Leiden circa 1630: Rembrandt Emerges
Dr Jacquelyn N. Coutré, Bader Curator and Researcher of European Art in conversation with Dinah Jansen, CFRC
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Horatio Walker’s Turning the Harrow – Early Morning (1898)
Dr Marla Dobson, Assistant Curator, Canadian Art
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A Romantic Concept of the Landscape
Anne-Marie Bouchard, Curator of Modern Art (1900-1949), Musée national des beaux-arts du Québec
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